- List of Feeling Words –
- The Book of Life | Developing Emotional Intelligence –
- You feel like shit. – This is meant to be an interactive flow chart for people who struggle with self care, executive dysfunction, and/or who have trouble reading internal signals. It's designed to take as much of the weight off of you as possible, so each decision is very easy and doesn't require much judgment.
Set aside some time–maybe an hour total- to allow yourself to work through each step. Don't rush or skip ahead–just follow the directions. Self care is important, and you deserve to devote some time to it.You may want to go through this routine as soon as you wake up, as a preventative measure.
- A history of global living conditions in 5 charts – Our World In Data – It is good news. Relentless good news!
- The Open Conspiracy – Wikipedia – H.G Well's internationalist appeal
The End of Globalization? The International Security Implications: Very interesting analysis of the forces slowing globalization and the effects on global security.Continue reading
Fascinating look at the next wave of disruptors. Telerobotics was something I had not thought of.Continue reading
Scott writes the Slate Star Codex blog.
- Divide things into small chunks
- Variety is the spice of life (add images etc.)
- Keep your flow of ideas strong
- Learn what should and shouldn’t be repeated.
- Use microhumor
- Use concrete examples
- Figure out who you’re trying to convince, then use the right tribal signals
- Anticipate and defuse counterarguments
- Use strong concept handles
- Recognize that applying these rules will probably start disastrously
Details of the above at: http://slatestarcodex.com/2016/02/20/writing-advice/
Something caught my eye in an article on The Logical Fallacies of History:
“Whilst it is true that Owens’ performance was indeed remarkable – he won four gold medals – he by no means spoiled the party for Hitler. The games provided him with the opportunity to showcase the organizational skills of his regime (which actually went against the grain, since Nazi Germany in many ways was run very chaotically).”
This is new to me. The stock cliche is that “Hitler made the trains run on time,” or maybe it was Mussolini? Anyway, both Germany and the Nazi war machine were notoriously orderly. I want to look into this claim that they were run chaotically.
I am finally clearing out some old Instapaper articles. One that I really enjoyed was Andrew Russell’s examination of our civilizational obsession with “innovation” at the expense of maintenance and sustainable operability.
This is something we in cloud services learned fairly recently. Features are increasingly table stakes, fundamentals (e.g. availability, supportability, security, privacy, operability, maintainability, etc.) are the crucial differentiators.
Only one thing worries me about the cloud: It facilitates state control because Cloud Computing reverses the decentralization (distribution) of computer power that heralded the internet. I think I got this fear from Cory Doctorow and his “The coming war on general computing.”
Anyway, maybe it is just a phase. Distributed Computing may very well be making a comeback as we see the end of Cloud Computing.
“World War III will be a global information war with no division between civilian and military participation.” -Marshal McLuhan
“Which, then, are these rubble films (Trümmerfilme)?
…Shandley instead defines “rubble films” as a short-lived but important production “cycle.” It is recognizable in recurrent narrative and visual motifs of “the returning solider/coming home” theme and settings that register the aftermath of massive war: rubble-strewn streets, collapsed hotels, crumbling apartment houses (all usually studio-constructed sets, as Shandley reveals). He goes on to offer perceptive close readings of the chosen films’ “berubbled mise-en-scène,” casting, genre conventions, and character construction. One might quibble over the particular film selections or their parameters; for example, the strict and not fully justified insistence on 1949 as an end point precludes discussion of such a striking film as the 1951 German production Der Verlorene [The Lost One], directed by and starring Peter Lorre. But overall Shandley cogently argues the legitimacy and intellectual value of the “rubble film” category, taking thereby an approach that many instructors of German film and history may find a useful complement to other media research on the period (much of it available only in German.) Especially Shandley’s careful formal analysis of the films’ visual and audio construction adds a welcome and somewhat rare perspective to nationally-delineated cinema histories. He also provides some details about each film’s production and reception, essentially presenting the selected films as a series of historical/cultural case studies which, he argues, record rubble films’ “important role in the formation of a collective attitude toward the past, one that shaped many public debates in German in the decades thereafter (p. 4).”
Extraordinary footage of destroyed Berlin
“By “nationalism” I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labelled “good” or “bad.” But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognizing no other duty than that of advancing its interests. Nationalism is not to be confused with patriotism. Both words are normally used in so vague a way that any definition is liable to be challenged, but one must draw a distinction between them, since two different and even opposing ideas are involved. By “patriotism” I mean devotion to a particular place and a particular way of life, which one believes to be the best in the world but has no wish to force on other people. Patriotism is of its nature defensive, both militarily and culturally. Nationalism, on the other hand, is inseparable from the desire for power. The abiding purpose of every nationalist is to secure more power and more prestige, not for himself but for the nation or other unit in which he has chosen to sink his own individuality.”
The characteristic of genuine heroism is its persistency. All men have wandering impulses, fits and starts of generosity. But when you have resolved to be great, abide by yourself, and do not weakly try to reconcile yourself with the world. The heroic cannot be the common, nor the common the heroic.” – Ralph Waldo Emerson