Old film-making technique revived [NY Times]

by limbic on October 10, 2004

Split Decision By David Thomson

A split screen is two or more separate images put together in one image, or one screen. Thus it was a split screen on ABC when similar images of Mr. Bush and Mr. Kerry were set side-by-side with a clear dividing line. But on PBS the shots were actually what are called two-shots: a single image in which we see two people at the same time with the space between them. Such a shot may not accommodate the full figures, but as the first debate revealed, an ingenious director with a good camera angle could show one person speaking, with another (in the background, or to one side) listening, reacting and generally behaving like a natural idiot.

In film studies, and once upon a time in filmmaking, the two-shot was a staple. Indeed, the shot of two or more people, not quite full length, but conversing and interacting, was often called “the American shot” in French film commentary. That is because it used to be a staple of good American movie-making. It can be found everywhere in the films of Howard Hawks, for example, a director whose work includes “Bringing Up Baby,” “His Girl Friday,” “To Have and Have Not,” “The Big Sleep” and “Red River,” among others. I could praise him at length. Let me just say here that he is both “cool” and “neat,” and on both accounts because of his skill with the group shot.

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